Flatware Single Pieces
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Color
Pillow Type
Shape
Special Offers
Couzon
The Couzon company was founded in 1934 by Mr. Jean Couzon. After having started producing stainless steel flatware and hollowware in 1946, the company quickly developed into one of France's undisputed market leaders. The trading brand "Jean Couzon Orfevre", adopted in 1971, was soon recognized on the market thanks to clever advertising and, obviously, fine product quality. In the late seventies and early eighties, the company worked hard to be at the leading edge of progress, not only technologically but in areas such as sales, advertising, and creation as well. The efforts paid off; in 1986 Couzon had over 700 employees and its products were sold with great success.
Couzon products have developed into one of France’s undisputed market leaders, because of the fine product quality and craftsmanship.
Bugatti Italy
The Oxford 18/10 Stainless Steel Butter Knife made of high quality and durable acrylic handle - looks like mother of pearl, and the highest quality of stainless steel 18/10 which are beautifully connected by antique silver-plated ring. The set is composed of 6 spreaders which are elegantly placed in a gift box.
Kirk Stieff
This pattern was named after the art of Repousse (the process of embossing metal from the back by hammering), originally used in European silversmithing. The Repousse pattern, first crafted in 1828, features an intricate floral design along its entire stem and handle.
Alessi
This set of six dinner knives from Alessi combines form and function in a contemporary design. Crafted from premium stainless steel, they feature a polished finish that complements any dining table. The ergonomic handles ensure a comfortable grip, making them perfect for everyday meals or special occasions.
Fortessa
Graceful, contemporary curves are enhanced by an eye-catching textural detail. This butter knife with faceting adds a tactile experience to flatware designed for balance and comfort.
. Elizabaeth. Memphis, TN. 2024-07-22 09:51:25
Following the typical minimalist approach that features in all Jasper Morrison's work, this design is an attempt to reduce the "cutlery-object" to its barest essence, its purest and most customary form and what might tentatively be called its definitive form, and deliberately stripped of all stylistic value and - perhaps precisely because of this - clearly recognizable as Morrison's work.
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