Showing results for "rust plaid throw blanket"

Handwoven in wool, circa 1950-1960, this 3x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm, features a polychromatic colorway. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Handwoven in wool, circa 1950-1960, this 3x7 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm enjoys rust and brown undertones, with notable burGundy red and navy blue hues amonG the many rich and vibrant accents at play. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

Handwoven in wool, circa 1950-1960, this 2x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm features a play of stripes and tribal Geometric patterns, with warm oranGe tones beside burGundy, deep blue and vibrant cherry red hues. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Handwoven in wool, circa 1950-1960, this 2x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm, features a polychromatic colorway. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Handwoven in wool, circa 1950-1960, this 2×5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims. On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm, features a polychromatic colorway. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes. Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

Handwoven in wool, circa 1950-1960, this 2x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm enjoys warm Gold undertones to meticulous stripes and Geometric patterns in rich red, brown, navy blue and similar tones. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Handwoven in wool, circa 1950-1960, this 2x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm, features a polychromatic colorway. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Handwoven in wool, circa 1950-1960, this 2x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm enjoys the archetypal hues of its provenance, with a rich, saturated red undertone to navy blue, charcoal black, and other more vibrant accents in the tribal colorway. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Originating from Afghanistan in 1970, this vintage transitional Afghan kilim features a combination of distinct and uncommon Persian symbols in its all over field design. Flat woven in tight wool pile, the field motif employs a geometric floral pattern resembling many tree of life depictions (symbolizing eternity and renewal) in deep brown with red floral accents against a rural beige background, complemented by the meandering inner border likely symbolizing running water. The more pronounced border, however, has symbols resembling rotated crosses to ward off bad spirits, or the “evil eye” in some dialects, employing the universal hues of crimson red, rich brown, and beige throughout the portrait.

• Material: Wool
• Pile Height: 0.25''

Hand-knotted in wool and originating from Turkey circa 1960 – 1970, this 4x6 vintage Zeki Müren rug is a unique addition to the Rug & Kilim Collection for its colors and geometric stripes across the fieldOn the Design: Connoisseurs will admire this rare piece from Zeki Müren’s more bold mid-century modern works, with red and black geometric stripes in rich tones seldom seen beyond his works. This Zeki Müren rug is particularly rare for absence of distress and playful sense of movement and the transitional sense of life this piece breathes into more traditional patterns. It’s a light and playful piece with the whimsy of a Zeki Müren rug, but also with the comfortable and livable undertone that his works also embody, so thoughtful in their approach to the postmodernist appeal of the time and collectible in his works curated today.Condition: This vintage Turkish rug enjoys good condition for its age and origin. Connoisseurs and collectors will note this rug is among the few full-pile pieces believed to remain of Müren’s works, making it especially rare and collectible.

Handwoven in wool, circa 1950-1960, this 2x5 vintaGe AfGhan tribal kilim, is a collectible tribal piece that may have been used as table covers in nomadic daily life, much similar to Persian sofreh Kilims.On the DesiGn: DrawinG on AfGhan tribal sensibilities, this archaic piece of art exhibitinG an old-world charm has a construction that is especially formidable amonG kilims, and it’s aGed beautifully in kind. As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind. DrawinG on Baluch tribal sensibilities, this archaic piece of art exhibitinG an old-world charm, features a polychromatic colorway. Connoisseurs may further admire the subtle sense of movement that its color variations lend the Geometry—a subdued, but intriGuinG departure from traditional area ruGs of its period. It’s a fine play of rustic Geometric motifs and stripes in a reserved, sophisticated manner, and its size offers vast desiGn applications, makinG it well suited to wall-hanGinG tapestry projects and other decorative purposes.Condition: This vintaGe AfGhan tribal kilim enjoys Good condition for its aGe and oriGin. It is a very collectible piece, ready for the floor and size is also well suited to wall-hanGinG tapestry projects and other decorative purposes.

• As a likely table runner, this AfGhan’s construction is especially formidable amonG flatweaves, and it’s aGed beautifully in kind.

Hand Knotted in wool, this 6x7 vintage Zeki Múren rug originates from 1960s Turkey, and features a unique play of Art Deco and mid-century modern sensibilities for its period.On the Design:Connoisseurs will admire this vintage Zeki Múren’s design which explores this work as among the works believed to hail from this artist that connote a mid-century modern approach to traditional Turkish motifs. Keen eyes for detail will admire the serrated geometric patterns like eight-pointed stars in red and light blue, some teal and beige tones in the medallion-meets-all-over-style. One must admire the sheer attention to craft that achieves this sense of movement—a hallmark of Müren’s rare style. Keen eyes for detail will note that this is some of Müren’s most subversive colors among his works, yet also one of his more humble palettes, both forgiving and playful—a comfortable and personal work from a mid-century artist. It’s a light and playful piece with the whimsy of a Müren rug, but also with the comfortable and livable undertone that his works also embody, so thoughtful in their approach to the postmodernist appeal of the time and collectible in his suspected works curated today. Condition: This mid-century vintage Zeki Müren rug further enjoys good condition for its age and origin. Its construction has been lowered to preserve its construction, which lends it the distressed look of wear and chic in a low pile.

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