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Michael Aram
The Anemone collection is inspired by anemone flowers, which in some cultures are said to bring good luck and offer protection. The flowers are associated with purity and peace. For me, there is beauty and gracefulness inherent in anemones. The curving stems and vibrant blooms are feminine and deeply alluring.
It's beautiful!. Ta Ta. . 2024-01-07 18:33:48
The Michael Aram Pomegranate collection takes its inspiration from one of the most universal and ancient symbols in the world. The fruit has been prized across the globe, across cultures, and across time as a representation of life, rebirth, and renewal as well as fertility and union. I grew up around pomegranates - from their use as natural dyes on the antique rugs I used to crawl on as a baby to an integral ingredient in the food that I love. When I'm at my home in New Delhi, I wake each morning to the taste of fresh-squeezed pomegranate juice. The color, the smell, and the delicate flavor all make it feel like a magical elixir to me.
. Ruzanna. Brooklyn, NY. 2024-02-29 17:22:29
The Blue Orchid collection was inspired by the powerful sensuality of orchids and the rich ambiance of haute couture – strikingly simple yet full of the most extreme detail.
The Michael Aram Palace collection explores, through Michael's eyes, the richness of detail and ornament in palaces throughout the world. As a part-time resident of India since 1989, palace architecture has been a steady source of inspiration and this collection pays tribute to the geometry and complexity of Moghul's design. The classically elegant shapes and materials in this collection reflect the arches, finials, carved panels, and ornamentation prevalent in palaces throughout the East. I like the old saying that every man's home is his palace. This is a collection that brings the grandness and intricacy of palace architecture into your home, in an elegant yet everyday way. The collection is a journey of sorts into the sophisticated world of regal architecture, yet what I love about it is that there is a surprising simplicity to the geometric forms as well as restraint in the tone-on-tone interplay with light and shadow of the surfaces.
The Michael Aram Silversmith collection is a homage to the simple beauty of the forger's craft. The texture of hammer tone has been seen for millennia in metal objects, bearing silent testament to each stroke of the hammer. The surface that remains is faceted and meticulous without losing its random and organic feeling. The Silversmith's collection of fine porcelain strives to capture this mystical and timeless motif. The design is also carefully crafted in terms of color and detail to integrate perfectly with any of Michael's other dinnerware patterns. The unified body shapes used in all of the motifs make mixing and matching the patterns a seamless proposition. I have always been mesmerized by the idea that a cold, hard piece of metal could be pushed into any shape. It's a little like magic in a way. There is also a wonderful romance to the fact that each gesture the artist makes becomes immortalized in a single mark, creating a texture that is quite simply breathtaking.
The Palace collection explores, through Michael's eyes, the richness of detail and ornament in palaces throughout the world. As a part-time resident of India since 1989, palace architecture has been a steady source of inspiration and this collection pays tribute to the geometry and complexity of Moghul's design. The classically elegant shapes and materials in this collection reflect the arches, finials, carved panels, and ornamentation prevalent in palaces throughout the East. "I like the old saying that every man's home is his palace. This is a collection that brings the grandness and intricacy of palace architecture into your home, in an elegant yet everyday way. The collection is a journey of sorts into the sophisticated world of regal architecture, yet what I love about it is that there is a surprising simplicity to the geometric forms as well as restraint in the tone-on-tone interplay with light and shadow of the surfaces."
