Outdoor Wall Lights
Color & Finish
Lamp Size
Shape / Design
Material
Special Offers
Fatboy
Is it a lamp? Is it a light-emitting work of art? Oloha is both. As well as a multifaceted design object that will evoke more than its fair share of ooohs and aaahs. Put this metallic bowl and magnetic lamp on your dressing table to add atmosphere, on your coffee table as an original eye-catcher, or just hang it up as a unique wall lamp. With Oloha, anything and everything goes. At the back of the Oloha there is a silicone coaster. And in that coaster there is a handy eye by which the lamp can be hung on a wall, just like you would a work of art. Ideal for adding some oh-la-la to your balcony or your favorite reading corner. The LED light emits warm white light, but it’s the color of the bowl that adds the tint. Add a few more Olohas and you can create a fun light show on your wall. Oloha is a sturdy, artistic bowl. The LED light is a separate element that attaches to the bowl with a magnet, which means it can be removed so that you can easily recharge it with the supplied USB-C cable. By means of the button you can dim the light from dusk all the way to nice and bright.
Louis Poulsen
The fixture is available with two types of distribution: Symmetric or asymmetric. The asymmetric is only recommended for wall mounting. The opal diffuser creates a soft light distribution.
FLOS
The IC Lights outdoor collection has expanded to include two sizes of ceiling and wall sconces, CW1 and CW2. Michael Anastassiades' IC Lights series is a study in balance, now with technological engineering suitable for weathered environments. The structure of the fitting is treated with a chemical conversion process for effective resistance to atmospheric agents. Opalescent diffuser in shiny white translucent blown glass. The light comes with seals for an IP-rated connection. The inspiration behind the design: "I remember watching a short film about a juggler, Tony Duncan, rolling a set of spheres in the palm of his hands and up on his arms. There were moments when the spheres would seem perfectly still, on the edge of his fingers. Only if you looked very closely could you see them spinning around to achieve balance. Then I came across the old photographs of Paul Cinquevalli, capturing a moment in the art of contact juggling." - Michael Anastassiades