Vases
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Currey & Company
The Han Dynasty table vase is poetry in motion, and not just because its asymmetrical form creates a sense of movement but because the swirling brushstrokes along its porcelain surface do as well. The tan vessel is created by a studio artist and, because it is handmade, each one will vary slightly to make each piece unique - some will be brighter and, because the brush patterns are hand-painted, they will be random from piece to piece.
Culturally, the Oxblood large temple jar is significant, as the particular color is created by a small family factory in China. The secrets involved in producing the fragile color are passed down through generations to the artisans who mix the pigments to make it. The richness of the surface on the dark red vessel attests to the skill these artisans possess, and the fact that the color is named Imperial Red is apropos because original objects in this hue were produced for the Imperial estate during the heyday of the dynasties.
Dripping with personality, the Monte Carlo Vase Set is made of porcelain that has been hand-painted in a mix of antique white and light brown glazing. The brushstrokes of the artisans who glazed the pair of tan vases are apparent. This and the organic shape of the largemouth created when it is hand-thrown on a wheel give it a gallery-worthy feel.
The Celadon double gourd green vase is created from the most aristocratic and precious porcelain that has been made for centuries - the green Celadon makes this a striking decorative accessory. The skills to create and the secrets that make the lustrous green vases so special have been perfected by artisan families for generations. Though the term Celadon inspires many people to envision crackled surfaces, this vase has a smooth and lustrous profile.
The Celadon small green straight neck vase is created from the most aristocratic and precious porcelain that has been made for centuries - the green Celadon makes this a striking decorative accessory. The skills to create and the secrets that make the lustrous green vases so special have been perfected by artisan families for generations. Though the term Celadon inspires many people to envision crackled surfaces, this vase has a smooth and lustrous profile.
The Imperial deer ears vase is a decorative vase that has its roots far from the past. The Imperial label is apropos for the porcelain vase because this piece is made of clay sourced from the area surrounding the kilns that produced objects for the Imperial estate during the heyday of the dynasties. The formula to achieve the particular on this vase’s surface is a secret one guarded by ceramicist families devoted to the single color. The vibrant hue was originally produced exclusively for those in high society.
The Terre D’Argile Large Vase has a vintage appeal achieved in terracotta. Not only does the shape feel as if it was born in another time, but the mix of natural and black finishes also provides the rust vase with patina. The added dimension to the surface is the fact that the black has been applied to the bottom only, a surprising move that makes this vase special. We also offer the natural terracotta version of the Terre d’Argile in a medium-size, and we have large and medium vases in a mix of ivory and gold finishes.
Nice shape and color, warm and earthy, love this style.. Olga. Boise, ID. 2023-09-27 12:52:43
Culturally, the Oxblood small temple jar is significant, as the particular color is created by a small family factory in China. The secrets involved in producing the fragile color are passed down through generations to the artisans who mix the pigments to make it. The richness of the surface on the dark red vessel attests to the skill these artisans possess, and the fact that the color is named imperial red is apropos because original objects in this hue were produced for the Imperial estate during the heyday of the dynasties.
The Luganzo medium bronze vase has the undulant character of turned wood, but the sculpture is made of bronze with a jade green patina. A polished gold ring defines the culmination of its neck for a hint of sheen. The incredible distressing the artisans achieved with this vase, after it emerged during a lost-wax technique, makes it a stunning textural piece that will read like an antique.
The Imperial white modern vase is a decorative white vase that has its roots far from the past. The Imperial label is apropos for the porcelain vase because this piece is made of clay sourced from the area surrounding the kilns that produced objects for the Imperial estate during the heyday of the dynasties. The formula to achieve the particular white on this vase’s surface is a secret one guarded by ceramicist families devoted to the single color. The glossy, crisp white hue was originally produced exclusively for those in high society.
The ripple white vase is a technological feat. The deep furrows that wrinkle around the form to create waves of movement are achieved with such a uniformity they can only be machine-made. The most surprising thing about this handsome vessel is that it is made of 3D-printed porcelain, an ancient material you might not expect to be so amenable to such a modern process.
The Godet white vase is a technological feat. The deep furrows that wrinkle around the form to create waves of movement are achieved with such a uniformity they can only be machine-made. The most surprising thing about this handsome vessel is that it is made of 3D-printed porcelain, an ancient material you might not expect to be so amenable to such a modern process.
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