Side Tables
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Theodore Alexander
A cerejeira veneered and mahogany table, the square crossbanded top with a three-quarter gallery above an undulating apron fitted with a frieze drawer on cabriole legs joined by a concave sided under tier. Inspired by a 19th-century French original.
A fine flame mahogany, satinwood, and rosewood crossbanded table, the top with rounded protruding corners above a frieze drawer with brass handles, on reeded tapering legs joined by a concave sided under tier, on reeded brass feet. Inspired by a 19th century English original.
Absolutely gorgeous!. Elga. Bradford, PA. 2023-04-18 09:33:55
A mahogany lamp table, the circular brass bound top fitted with a frieze drawer on three bound brass jilted sabers mounted on a trefoil platform base with brass lion’s paw feet. Inspired by the 2nd Earl Spencer, appointed 1st Lord of the Admiralty in 1795. The original Regency.
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Flame mahogany and rosewood banded Gueridon table, the circular top with a brass molded edge, the plain frieze above scrolled legs joined by a brass molded stepped tier and acanthus leaf carved and gilt feet, on a trefoil concave sides base with turned mahogany bun feet.
. Anonymous. . 2024-11-30 16:43:01
Ambella
This pedestal center table features a tapering eight-sided base with a chevron inlay of Rosewood veneer. The top includes a dramatic sunburst veneer pattern with a gold-leafed edge. Mahogany solids.
A flame veneered and moving crossbanded circular center table, the circular molded edge with two frieze drawers, on turned fluted legs with brass feet joined by a quatrefoil floral stretcher centered by a turned mahogany vase.
. Elga. Bradford, PA. 2025-02-16 18:02:27
A flame veneered and solid mahogany lamp table, the serpentine square brass bound top above a shaped frieze drawer with finely cast brass Rocaille handle, on square tapering and fluted legs applied with roundels and joined by a serpentine brass bound under tier.
Mahogany and ormolu mounted occasional table, the brass bound shaped circular top above a rosewood veneered frieze enclosed by foliate mounts, on three cabriole legs with caryatid mounts terminating in sabots, united by a shaped undertaker. The original Louis XV, circa 1770.
An octagonal top with inset-tooled leather brings richness to Sullivan’s classic silhouette. Subtle carved gilded moldings frame the apron and drawer. A shapely base with brass inlay rests below pilaster legs.
