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Morris & Co.
Paired birds alternate between perched and in-flight in this serene 1878 tapestry design from William Morris. Surprising bursts of color emerge upon closer inspection, pulling the eye towards the original hand-driven jacquard loom production quality. William Morris designed a bird in 1878 to adorn the walls of his drawing room in Kelmscott House. His friend and neighbor, the noted typographer Sir Emery Walker, adorned his dining room with an identical bird tapestry after receiving an inheritance from either Morris or Philip Webb, the famous arts and crafts architect. Our modern bird tapestry retains William Morris's high regard for craftsmanship, being woven by Morris & Co. craftspeople right here in the UK using a cotton-wool blend.
Kelmscott Tree is a new design by Alison Gee. Inspired by Morris's bed curtains at his home Kelmscott Manor which was embroidered by May Morris in 1891 Kelmscott Tree has been painted in the Morris studio and adapted into a beautiful embroidery of trees birds and flowers.
Psychedelia meets a signature Morris & Co. botanical evoking the brand`s trippy color experiments from the swinging `60s. Ensnaring and intoxicating the swirling rhythm and hidden depths of William Morris`s 1876 Pimpernel have an irresistibly mythic pull. All tendrils and flowerheads Pimpernel is a perfect exemplification of Morris`s layering technique adding texture and drama at every twist and turn.
Pomegranates and Indian-inspired motifs cover this small-scale fabric design. Available in versatile colourways Little Chintz is an excellent way to introduce Morris & Co.`s design into smaller rooms in upholstery or curtains. Printed on a linen-mix cloth in fresh characterful colourways.
Based on an elaborately woven silk velvet brocade designed and produced by Morris in 1884 Granada incorporates pomegranate motifs and ornate trellis reminiscent of the medieval textiles which inspired the design. Today Granada is printed on heavy textured linen to give an antiqued effect.
Originally imagined as a wallpaper available for the low price of 4 shillings and sixpence in 1879 Sunflower is here translated onto sumptuous velvet fabric. In no less than 7 colour choices Sunflower’s radiant pattern of flowerheads and flowing vine forms offer an irresistible decorating story for the home. Perfect for use in upholstery and drapery.
A simple two-toned design Yew & Aril is a seamless choice as a coordinate fabric. An excellent colour carrier Alan Francis Vigers`s small-scale design depicts the quiet beauty of the branches of a Yew tree and its charming berries known as arils.
Trent, which began life in 1888 with the grand accolade of being Morris & Co.'s most expensive printed textile, is a rich, vibrant floral display. This luscious pattern features curving tulips and meandering acanthus leaves amongst other stalwarts of English gardens. Trent seamlessly imagines two of William Morris's guiding design principles, ensnare the eye with sprawling repeats and beguile with masterfully rendered motifs.
Chrysanthemum was originally designed as wallpaper by William Morris in 1877 with winding blooms against a foliage background. In this toile interpretation, elegant linework enhances the detail and form of the original pattern, recolored here to sit alongside the Simply Morris collection.
C.F.A. Voysey one of the foremost Arts & Crafts designers and architects of his generation blends his architectural and decorative training in this The Savaric. Featuring flocks of birds gracing branches below the high canopy of trees The Savaric originally a wallpaper design from 1896 bears the unmistakable signature bird motif indicative of Voysey`s style.
Campanula`s gloriously flat design a densely populated frame of vibrant flowers is given another layer of intensity with the supercharged color stories. Alan Francis Vigers produced Campanula in 1900 and had it printed at Jeffrey & Co. wallpaper printers one of many marks of similarity between himself and William Morris`s Morris & Co.
For Morris, the tapestry was the highest form of decorative art. Inspired in part by J. H. Dearle’s The Brook Tapestry and the friezes that sit beneath the Holy Grail Tapestries, this digitally printed fabric design recreates the crispness and beautiful detail of medieval tapestries. One colorway is printed on cotton velvet and two on textured cloth reminiscent of original tapestry surfaces. Also available as a wide-width wallpaper.
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