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D.V. Kap
Morris & Co.
Celebrating the workmanship of May Morris's original design this embroidery features a mirrored trellis effect of stylized roses tulips leaves and turning stems. With its iridescent yarn raised stitching and fine blending accenting intricate detail across feathers and petals Seasons by May retains the authenticity of the May Morris design c.1895.
Inspired by a beautifully embroidered archive document of Indian-style flowerheads crafted by Elizabeth Wardle and accomplished Arts and Crafts embroider. Blended stitches add authenticity to this mid-scale design.
A tranquil monotone print designed by Morris in 1875 and one of the few designs Morris produced for both wallpaper and fabric. This versatile woven fabric is produced using a unique hand-guided cording technique on cotton and linen ground.
Beware Alan Francis Vigers`s upbeat jolly 1901 design has a somewhat sinister undertone. So named because its head resembles the rounded shape of a monk`s habit this plant is also referred to as wolfsbane recalling its use as a toxic poison used to coat arrows fired at marauding wolves in Classical times. This plant as treacherous as it is beautiful is charmingly rendered by Vigers with innocuous innocence.
Kravet
Originally imagined as a furnishing fabric marigold is an 1875 William Morris design filled with charm and energy. Marigold’s complex pattern swirling movement makes it perfect for all upholstery uses in any part of the home inside or out. Made fit for busy homes gardens patios and poolsides this fabric is imbued with UV and water resistance a wipeable finish anti-microbial and colorfast properties.
Introducing a brand-new design from Morris & Co. Delivered to the Birmingham Society of Arts on February 19th, 1880, The Beauty of Life is the lecture title of William Morris’s passionate appeal to “face the latest danger which civilization is threatened with.” This rallying cry is forever immortalized on a sumptuous indigo fabric ornamented with quintessentially Morris motifs, scrolling foliage, beautiful script, and playful wildlife. The struggle, to William Morris, was the threat of industrialized capitalism to deprive the “whole race of all the beauty of life.” The Beauty of Life is introduced to the Morris & Co. range for the Emery Walker’s House collection. The lettering is inspired by William Morris’s book-printing press, The Kelmscott Press, a feat he managed with the unwavering support and guidance of expert typographer Sir Emery Walker.
Blackthorn designed for wallpaper by J.H. Dearle in 1892 was first adapted for machine-printed fabric in 1975 by Sanderson. Now Blackthorn Weave depicts a richly woven design for indoors and out. The weave texture is intricate and piquing interest and plays with differing levels of color. The ribbed quality in the flowerheads adds texture to the blooms and variation between floral display and calming leaves. Rich archival colors meet softer hazy hues across three wonderous colorways.
Named after the flowering herb this classic small-scale pattern was designed by William Morris and originally printed at his Merton Abbey workshop in 1883.
Dramatic swirling leaves coil around on this monochrome fabric originally created in 1892 and painted in the style of medieval frescos with dramatic effect creating a show-stopping cotton-linen blend embroidery. Using a single-color twisted wool mix yarn this embroidery has a range of subtle stitches to give the design added movement and a sophisticated feel.
RM Coco
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