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Chelsea Art Studio
This striking piece by Mari Urasawa. Known for its modern allure, this print is crafted to order, ensuring a personal touch in every detail. It arrives with wall-mounting hardware, making it easy to showcase in your living room, office, or gallery wall. The artwork's abstract design and vibrant colors can transform any space, adding a contemporary flair. Consider pairing it with minimalist decor to let its boldness shine. Plus, the included mounting hardware simplifies the installation process.
. Gabrielle. Houston, TX. 2023-06-25 12:21:08
Growing up, artist Helen parker loved to paint. Her favorite childhood memory is painting with her mother. This led Helen on a path to the world of art. As a young adult, she went to art school and instantly knew she wanted to make this her life’s work. Helen received her fine arts training at laguna college of art and design and is currently based in Los Angeles, California. She is taking a break from her travels and learning to live in the city and find inspiration through her current surroundings. Helen’s favorite medium is watercolor. “I love when the colors flow into each other and create new washes.” Helen draws much of her inspiration from nature. In her free time, Helen enjoys hanging out with friends, walking on the beach, and getting lost in a book.
There was a slight dent on the frame and a small fleck of white on the painting. I did not return because not terribly noticeable but for the cost I was disappointed to find any flaws.. Becky. Haubstadt, IN. 2024-05-23 16:31:50
Artist Jacob Lincoln was born and raised in Los Angeles, CA. Los Angeles is a place where all cultures and backgrounds are found. Jacob studied painting in different acrylic and oil workshops. The art institute is where he went to school to pursue his career in art. He enhanced his skills painterly and digitally by learning the history of all art movements. He works in all mediums including oil, acrylic, and watercolor, and also likes to experiment with ink and charcoal. With his art, he likes to explore diverse cultural perspectives on shared human experiences by connecting works of art created around the world from different eras. With his art, he likes to relate and be understood and have a strong effect, to hit home.
Nikki Chu is a celebrity interior designer, author, artist, and entrepreneur with over 20 years of experience. She has worked on various interior projects and licensing deals with reputable companies. She has also appeared as a lifestyle and design expert on HGTV, E!, Oxygen, and Own Network, and starred in her makeover show called “Unboxed with Nikki Chu” on Aspire. Currently, she documents her home renovation on “Nikki Chu’s Renovation Diary” and was chosen to decorate the garage in Architectural Digest’s The Iconic Home Showcase. Chu has received several awards for her outstanding accomplishments in the world of art and design.
Theodore Alexander
Just a Sip 1 is a captivating monochromatic photograph that suspends the viewer in a singular moment in time. The extreme closeup of the glass and its contents are slightly blurred giving the image a dreamlike quality. Beads of light are reflected in the glass creating a glittering, almost celestial effect. The viewer is drawn into the motion, the flow, the simple act of pouring, and the anticipation of the sip to come.
Leaving a Mark 4 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.
Leaving a Mark 2 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.
Leaving a Mark 6 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.
Leaving a Mark 3 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.
Leaving a Mark 5 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.
Leaving a Mark 1 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.
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