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Lladro
This version of The Guest is signed by Kzeng Jiang, the first artist of Chinese origin to join the creative universe of this iconic character. A creative based in Shanghai, his work captures the contemporary culture of the East through vibrant and radical illustrations. Kzeng seeks to capture his cultural roots through the symbolism of traditions such as Chinese face painting or Song dynasty flowers. Elements that he reinterprets under his prism and that in this case are represented, for example, with three large eyes on the face that, according to the author, "allows him to see, past, present and future as if he were a messenger traveling through time". At the chromatic level, Kzeng resorts to blues on white porcelain to achieve visual harmony and balance. Colors that he combines with golden luster strokes to create that sense of prestige that was so typical of ancient Chinese porcelain. The result is a creation that conveys the elegance of porcelain and is an example of the most conceptual and contemporary design.
Guillaume Grando, known under the artistic name of Supakitch, is the author of the two new The Guest. Supakitch began his career as a graffiti artist in the early 90s and, since then, the fluidity required in the application of graffiti has marked the sinuosity of the strokes of his work. His creative proposals focus on gesture, movement, liquid matter, color, and the reflection of light. Elements that are masterfully captured in the versions of The Guest that he has worked on for Lladro. Porcelain and, in particular, the use of degraded pearl luster, have been ideal for reproducing that water effect to which the reflection of light seems to give movement and depth. A result that is reinforced by the volume of the waves that cover the surface of the pieces.
This version of The Guest is signed by Kzeng Jiang, the first artist of Chinese origin to join the creative universe of this iconic character. A creative based in Shanghai, his work captures the contemporary culture of the East through vibrant and radical illustrations. Kzeng seeks to capture his cultural roots through the symbolism of traditions such as Chinese face painting or Song dynasty flowers. At a chromatic level, the artist resorts to blues on white porcelain to achieve visual harmony and balance. Colors that he combines with golden luster strokes to create that sense of prestige that was so typical of ancient Chinese porcelain. The result is a creation that conveys the elegance of porcelain and is an example of the most conceptual and contemporary design.
This large version of The Guest is signed by Camille Walala, a London-based multidisciplinary French designer. Walala is known for her vibrant distinctive work based on radical illustrations. In this new creation, Walala invites spectators to explore two pieces showcasing her artistic vision combining optimism and chromatic energy. The two The Guest by Camille Walala sculptures are full of contrasts, combining bold, bright colors with intricate patterns. Like the majority of her works, Walala has intervened on the Lladro porcelain with "slightly imperfect" abstract forms, circles, and soft hand-drawn lines to create a dynamic and powerful visual effect. Two creations based on the artist's series of artworks called "putting things in perspective", creating trompe l'oeils playing with planes and perspectives.