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Nicolette Mayer
A modern approach to the ancient tradition of hand painted plum and cherry blossom wallpaper panels. For those who want a chinoiserie mural look with the ease of a roll wallpaper. On metallic grasscloth, the layered blossoms and branches represents a modern approach to chinoiserie. The inspiration of the plum or cherry blossoms represents the delicate fragility and the beauty of life. It’s a reminder that life is almost overwhelmingly beautiful but that it is also tragically short. When the cherry blossom trees bloom for a short time each year in they serve as a visual reminder of how precious and how precarious life is. A sophisticated chinoiserie for the most discriminating interior designers in the world.
Topkapi Palace, Iznik style pottery, and the beautiful carpets in Palaces old and new, we tried to dream and reimagine an ideal Ottoman-inspired new kind of chic. Colors that are fresh and modern, blended with themes that date back hundreds of years, Topkapi Garden includes sumptuous velvets and Belgian linens, with metallic grasscloth wallpapers and wall panels. Wall panels that are uniquely designed to be cuttable at popular and 9', 10' and 12' wall heights, solving many typical issues designers have. Topkapi Garden is a pattern inspired by the Iznik tiled wall mural at the Topkapi Palace, in Istambul, Turkey. A garden of cypress trees, tall as minarets and underplanted with hyacinth bells, has been immortalized on tiles in an alcove in the harem, once the most private – and forbidden – part of the palace.
Royal Delft Flora & Fauna is inspired by the iconic Dutch tulips associated with stately Royal Delft Tulipieres. Tulips were in cultivation since the 13th century, but only really became a passion of collectors among aristocrats in the 1600s’ when Turkish traders introduced them to the Dutch. The tulip craze in the 17th century became so fevered that the bulbs were traded as currency, and theft of the flowers triggered harsh penalties. Mixed with simple wildflowers and scattered in all directions, Flora & Fauna is considered a symbol of happiness and joie de vivre! Flora & Fauna pays homage to artist Vittorio Accornero, whose ‘Giardini di seta’ works for Gucci inspired a generation.
The provenance of Royal Delft “William & Mary” is the commission in the 1600s of thematic tile plaques (manufactured in Delft) based on a design by Daniel Marot, who worked as a principal designer to William of Orange and also worked at William and Mary’s court in England and who may have played a pivotal role in furnishing and decorating the Water Gallery at Hampton court palace. A blue Delft vase is within a three-lobed ornament or trefoil surrounded by a cartouche with large curling acanthus leaves and flowers. Filled with diamond ornament on either side of the trefoil, a bird sits on the cartouche. Delft tiles were often used to seal damp walls from moisture and as Stadholder of Holland and King of England, William III decided to tile the walls on the Thames-side rooms to keep out the dampness with exceptionally beautiful glazed tiles. The project was never completed, as Mary died in 1694, and the rooms were demolished as early as 1700. The plaques sold piece by piece and disappeared, only resurfacing in 1923 when an art dealer put ten for sale. They are now housed at various museums, including the Metropolitan Museum, Rijksmuseum, Default, Cophenhagen, and Sevres. With reverence for the originals and equal parts artistic license, we carefully resorted their beauty on a new medium.
“Topkapi Palace, Iznik style pottery, and the beautiful carpets in Palaces old and new, we tried to dream and reimagine an ideal Ottoman-inspired new kind of chic. Colors that are fresh and modern, blended with themes that date back hundreds of years, Topkapi Garden includes sumptuous velvets and Belgian linens, with metallic grasscloth wallpapers and wall panels. Wall panels that are uniquely designed to be cuttable at popular and 9', 10' and 12' wall heights, solving many typical issues designers have. Topkapi Garden is a pattern inspired by the Iznik tiled wall mural at the Topkapi Palace, in Istambul, Turkey. A garden of cypress trees, tall as minarets and underplanted with hyacinth bells, has been immortalized on tiles in an alcove in the harem, once the most private – and forbidden – part of the palace.”
Royal Delft Imperial is inspired by the stately Royal Delft plaque collections lining dining walls, staircases, hallways, and home entries which passionate collectors placed in formation on the walls of grand houses, palaces, and refined apartments, showcasing their curating skill and porcelain love! Among aristocrats from the 1600’s onward, the blue and white craze in the 17th century became fevered. The passion for Delftware is still a passion among collectors. Royal Delft Imperial pays homage to this tradition, as it places a signature plaque information between a modern damask stripe that is a stand-alone wallpaper, or a canvas for a plaque and plate collection. Have fun with it! Mix styles, family portraits, and modern art...
Masterpieces Tulip is a pattern featuring the rarest, most prized Royal Delft blue and white pieces. Entirely hand-painted in Holland in the same workshop since the 17th century the ‘Tulipiere’ pyramid vases consist of stacks of ever-smaller elements where flowers can be put in each opening. The imposing flower pyramids are made to follow the late 17th-century royal pyramids with royal allure. The Royal Delft Masterpieces include the Tulipere, lion jar, and large ginger jar with finial, which in this wallpaper pattern, with perfectly placed flowers in pastel tones against an aged backdrop, makes for stunning room settings.
