Designed in 1948, this vase is decorated with carved birds in satin crystal. Through this vase, Lalique pays tribute to two themes dear to René Lalique, the fauna, and flora. This piece takes us to a dreamlike state of nature, answering a need for authenticity and well-being.

Lalique gives a fresh insight into this iconic creation revolutionized through a grand size highlighted with moon gold leaf, in a limited edition of 99 pieces. Harmoniously combining the purity of crystal and the nobility of gold, the vase with gold leaf displays alluring sensuality. The voluptuous curves of the young priestesses of Bacchus are highlighted with 23K gold leaf applied by hand by craftsmen from the prestigious Ateliers Gohard while the satin-finish of the original model has been revamped to give fresh insight to this masterpiece. Thus, the transparent silhouettes reveal the preciousness of the gold leaf, initiating a dialogue between the classicism of gold and the modernity of the lines through illumination.

In 1926 René Lalique created the Tourbillons vase. Inspired by the movement of the fern blossom, its abstract design allows for the utmost freedom of interpretation. Graphic and poetic its curves stunningly follow the rhythm of light, drawing the eye into swirls of crystal.

The spectacular rows of plane trees lining "the most beautiful avenue of the world" inspired the design of the finely engraved crystal leaves that adorn the Champs-Elysées bowl, designed by Marc Lalique in 1951. This sculpture of light and crystal captures the very essence of Paris.

A wavelike movement animates the front of the vase while a koi-carved intaglio defines the back. This gentle gesture induces a feeling of rising to the surface of a crystal lake. Highlighting the geometric lines, the clear, mint green, or Persepolis blue crystal delivers its inherent purity.

Alliance of brute strength and delicacy, the juxtaposition of a square shape to the curved lines of the sculpted motifs, the Pivoines vases and bowl embody a contrast of mineral strength and floral romanticism. Symbol of prosperity, beauty, and honor, the peony is an emblematic flower, especially in China where it is often depicted. As if carved in the gouge of a rock garlands of flowers take possession of crystal, like luxuriant nature takes its rightful place over abandoned constructions. Their modeling also evokes the process of Lost Wax sculpture, when the craftsman breaks the plaster mold to reveal the piece.