Depths of Indigo 1 is a fascinating study of juxtaposition using a hyper-abstraction style. The work on canvas plays in dualities of composition. Two contrasting scenes present a tranquil motif in the upper portion of the picture plane offset by a turbulent vista in the lower. A strong implied line separating the two views offers a bit of balance. Variations are made more pronounced by a nearly solid color field on top set off by multiple tonalities below. The insertion of uncanny elements – a mysterious illuminated blob, a shock of bright yellow, seemingly atmospheric elements – lends a celestial feel to the composition. A mostly blue color palette in midnight blue with streaks of turquoise and illuminating white creates a sense of ethereal depth, drawing the viewer into a contemplative journey in space. An engaging addition, Depths of Indigo 1 is a masterful study of color, light, and technique.

Guseul Park was born and raised in Korea and studied ceramics in college; however, she was always drawn to painting and drawing and is a self-taught artist. “Art means meditation to me. By creating art, I get to go explore the deepest side of me and examine my state of mind. Creating art always brought me to a state of pure joy. It is the place in which I can be myself.” Her favorite medium to use is a pencil which she describes as “back to basics art.” She finds inspiration in daily strolls and travel. She also enjoys reading and sewing embroidery when she is not creating new artwork.

After graduating from Carnegie Mellon University in 1998, Blakely Bering put her studies in costume and set design to direct use by working in opera design and television production around the United States, before returning to her home of Texas. Transitioning from large-scale design to fine art was seamless and natural for her. Painting figurative abstractions and “Blooms” at first, Blakely’s art evolved into pure abstraction. Experimenting with techniques, mediums, and styles; the “Oil slick” developed in 2006, recognized as Blakely’s classic style. Reflecting her theatrical sense, the artwork is powerful from thirty feet away. Inspired by her love of cooking, Blakely combines oils, powdered pigments, crushed metals, and secret ingredients, from scratch, to create her own paint mixtures. Her work is known not only for its beauty and sense of frozen movement but for its sustained ability over time.

After graduating from Carnegie Mellon University in 1998, Blakely Bering put her studies in costume and set design to direct use by working in opera design and television production around the United States, before returning to her home of Texas. Transitioning from large-scale design to fine art was seamless and natural for her. Painting figurative abstractions and “Blooms” at first, Blakely’s art evolved into pure abstraction. Experimenting with techniques, mediums, and styles, the “Oil slick” developed in 2006, recognized as Blakely’s classic style. Reflecting her theatrical sense, the artwork is powerful from thirty feet away. Inspired by her love of cooking, Blakely combines oils, powdered pigments, crushed metals, and secret ingredients, from scratch, to create her own paint mixtures. Her work is known not only for its beauty and sense of frozen movement but for its sustained ability over time.

The Migrate VI Print is a testament to modern artistry, featuring a sleek glass coat finish that adds a layer of elegance and depth. Made to order, each piece is crafted with attention to detail, ensuring it complements your space perfectly.

This art piece by Chelsea Art Studio brings a unique blend of texture and style to your space. Each print is made to order, offering a personal touch to your décor. The knife gel and glass coat finish add a tactile quality that enhances its visual impact. Ready to hang with included wall-mounting hardware, it seamlessly integrates into any room, from modern living areas to sophisticated offices.