Oluce

Designed in 1977 by Vico Magistretti, over the years, Atollo has become the archetype of the table lamp, winning the Compasso d’Oro in 1979 and completely revolutionizing the way we imagine the classic bedside lamp. The geometric shapes that compose it – cylinder, cone, and hemisphere – have resulted in a product that is decorative and essential at the same time, disconnected from the historical period and the fashions of the moment, and one that has now fully become one of the icons of Italian design. The medium and the large sizes are dimmable.

Design Joe Colombo, 1970. The visionary and futuristic designer Joe Colombo designed the Colombo lamp in 1970, on the wave of the rapid diffusion of halogen light. The design is in fact one of the first domestic lamps to use the new type of bulb. The design of the Colombo lamp – base, chrome stem, and adjustable reflector – responds to the demands for clean shapes and technological functionality that go hand in hand with the concept and design of this great designer. Produced in several variants – floor, wall, or ceiling lamp – the Colombo family of products remains, even after more than 40 years, one of the top sellers from the Oluce catalog. To mark its 50th anniversary, the Colombo family was updated in a modern LED dimmer version.

Coupe 55" Floor Lamp was initially conceived as a variation of the Spider family, of which it has kept its base and stem. The simple, ingenious mechanism that connects the stem to the head makes it possible to direct the beam in several directions, by moving the dome up, down, and sideways.

Direct descendants of the Stone of Glass collection by Laudani & Romanelli, the shapes of the Stones outdoor lamps are inspired by nature. These luminous stones, available in three different sizes, can be positioned, either alone or together, in the greenery of a garden or the intimacy of a summer terrace, to create an interplay of diffuse, captivating light.

Fresnel is a lamp created by Joe Colombo with the intention of appearing to be one of those perfect objects, that cannot be improved any further because it has been designed by time, capable of making essentiality and practicality synonyms of elegance.

Berlin takes the form of a thick metal ring with a slender profile enclosing a disc of wire mesh glass inside it. It is available in the ø30, ø40 wall light, and ø50 version for use either as a ceiling light or wall light. The satin brass and anodized brass finishings recall echoes of Art Deco, given a contemporary update in the shapes, and in the use of LED as the light source.

Lyndon is a pendant lamp made of a chromium-plated metal structure and globes in transparent glass. This is an innovative concept created in 1977 by Vico Magistretti that takes you back to lost times using geometric shapes.

Eva is a metal table lamp that investigates opposites: hollow and solid, light and dark, taking them from theory into practice. The interaction between humans and objects takes on a fundamental significance, adding a playful and continually surprising element to the light. The inside of the ball is concealed by a surface that almost perfectly completes it, closing it like a sphere that recomposes itself, with the exception of a circle, a luminous light spiral that recalls the phenomenon of an eclipse. As this circular surface moves towards the interior or exterior of the ball, it allows different amounts of light to pass through, creating intimate, suffuse atmospheres, and revealing glimpses of the fine gold leaf walls inside the Eva lamp with varying degrees of clarity.

Swingarm lamp with special semi-cylindrical reflector in stove-enameled metal. It tilts and turns on a black plastic joint, which also adjusts the height of the reflector. In 1968 Coupé won the “international design award” from the American Institute of Interior Designers, in Chicago. It is part of the permanent collection at the MoMA in New York and of the “Neue Sammlung” Museum in Munich.

Recuerdo, designed by Mariana Pellegrino Soto, is part of a round solid in transparent glass, with elegant crystal materials or quilted effect, inside which the LED light source is protected by a frosted glass cylinder, creating plays of light and reflections inside the space.

Even though this lamp is great looking the light itself is so bright I had to replace the ditch cord to add a dimmer because of its brightness I couldn’t use it for my side tables in my bedroom . Anonymous. Sun Nov 09 2025

Plume, designed by Christophe Pillet, is a family of lamps consisting of a table lamp and two wall lamp versions, one with a long arm and the other with a short arm. The lighting project conceptually originated from a collection created by the French designer for the Sezz Hotel in Saint-Tropez, designed especially for the hotel through the Oluce Bespoke Tailoring service, re-evoking a more ornamental version of Plume. In a perfect combination, Plume blends a minimal, slender, and lightweight design, with a series of expressions that recall the classic lighting styles of the 1950s with the use of metal, configured as a collection with a precious, classic character, yet at the same time, contemporary. The entire family has an element in common, the lampshade consists of a thin metal surface, slightly folded in the center to symbolically form a feather.

The Fresnel is a small lamp that can fit into the palm of your hand. It emits a special, soft, deep, and diffused light. Available for both outdoors and indoors, the Fresnel is a lamp created by Joe Colombo with the intention of appearing to be one of those perfect objects that cannot be improved any further because it has been designed by time, capable of making essentiality and practicality synonyms of elegance. The LED version is suitable for outdoor use.

The Lyndon is an outside wall lamp made of a zinc-plated and black lacquered metal structure and globes in transparent polycarbonate. It is a project by Vico Magistretti created in 1977 and developed over the years into a wide range that includes many variations and sizes.

The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water. The Alba pendant has a cable that supports a metal structure with a satin brass finish, with two offset arms, under which light shines from the opaline drops.

Canopy owes both its shape and its name to the ceiling rose, one of the simplest and often neglected elements of lighting technology, used to conceal the wires coming out of the ceiling. Inside the dome, a particular source of light has been inserted, the circline bulb, capable of diffusing a soft, sinuous light into the surrounding environment.

The 281 model, created in 1962, was immediately nicknamed “Acrilica” due to its surprising conspicuousness and exception innovation of the significant curve made from acrylic. Due to this “magical movement”, Acrilica is more a work of kinetic art than a lamp. In 1964, Acrilica won the gold medal at the XIII Triennial in Milan.

By means of the Switch lamp, the Japanese designer Nendo revisits the shape of the classic abat-jour by renewing both its materials and its function. The archetypal shape of the cylindrical lampshade is transformed by using metal while its function as a diffuser is combined with that of a ‘switch’, hence its name. In fact, the lamp is switched on and off by turning the sheet metal lampshade, inextricably blending shape and function, aesthetics and functionality.

The Fresnel is a small lamp that can fit into the palm of your hand. It emits a special, soft, deep, and diffused light. Available for both outdoors and indoors, the Fresnel is a lamp created by Joe Colombo with the intention of appearing to be one of those perfect objects that cannot be improved any further because it has been designed by time, capable of making essentiality and practicality synonyms of elegance.

Designed by Victor Vasilev, the Parallel 63.4" Novelty Floor Lamp consists of a cylindrical metal lampshade supported by a vertical stem positioned laterally. The stem has two matt-black metallic plates that are spaced apart and slide in Parallel directions from the base to the lampshade. What makes Parallel unique is the lampshade, which has been covered on the outside with hammered leather. This is the first time that Oluce has used leather in a collection of lamps, and this shows its ability to explore new solutions and to continue to remain innovative. The Parallel 63.4" Novelty Floor Lamp also exists in a table lamp version.

The Fiore chandeliers lamp is characterized by a deliberate hark back to the 1970s. The lamp becomes a flower with its petals radiating around it. Perhaps it is a daisy, barely outlines in the abstract sharpness of the metal and glass, but it is poetically evoked by the shadow that is projected on the wall or ceiling.

The concept of Alba 68" Floor Lamp starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model.

Gorgeous. Elvis. Bronx, NY. Tue Feb 07 2023

The Coupé Wall is a simple and ingenious mechanism that connects the stem to the head makes it possible to direct the beam in several directions, by moving the dome up, down, and sideways. In 1968, Coupé won the ”International Design Award” of the American Institute of Interior Designers in Chicago. It is part of the permanent collection at both the MoMA in New York and the ”Neue Sammlung” Museum in Munich.

The G.O. 20" Desk Lamp is the revival edition of a model designed for Oluce by Giuseppe Ostuni in the 1960s. Characterized by a vertical shaft from which the horizontal arm branches off and on which the lampshade is mounted. The arm, thanks to the system of joints, is therefore a sliding element that can be repositioned and oriented depending on specific needs. The lamp also exists in a floor lamp version.

Lyndon is a floor lamp made of a chromium-plated metal structure and globes in transparent glass. This is an innovative concept created in 1977 by Vico Magistretti that takes you back to lost times using geometric shapes.

Echoes of bygone eras reinterpreted with refined contemporary precision. The elegance of Berlin is embodied in the metal ring diffusers with their considerable thickness and slender profile, enclosing decorative wired glass discs. The diffusers, supported by a slender, tubular stem, can be rotated 360 degrees to suit the lighting requirements.

The G.O. 56" LED Task/Reading Floor Lamp is the revival edition of a model designed for Oluce by Giuseppe Ostuni in the 1960s. Characterized by a vertical shaft from which the horizontal arm branches off and on which the lampshade is mounted. The arm, thanks to the system of joints, is therefore a sliding element that can be repositioned and oriented depending on specific needs. The lamp also exists in a table lamp version.

A balanced and refined presence, distinctive but not ostentatious. Dora is a family of lamps based on the contrast between the warmth of the glass diffuser and the sobriety of the metal body that supports it. The strong references to classical forms, evident above all in the design of the lampshade, are softened and modernized in the minimalism of the metal stem and foot.

Extreme minimalism and freedom of movement. Calamaio is a desk lamp that brings light where it is needed thanks to the rotation of the head mounted on a structure that is also mobile. The LED light source is positioned at the end of the lamp, creating a pinpoint light beam. Its character is manifested in the bold colors.

The Kelly wall lamp by Studio 63 is characterized by an elegant, minimalist design, an object that is capable of being gracefully, nonchalantly introduced into a wide range of housing environments. Its rectangular metal shape, made from curved, laser-cut metal, directs the light both upwards and downwards creating diffused, non-invasive lighting.

The Zanuso table lamp was originally conceived by Oluce for use as a desk lamp. However, its purpose was not intended as an operational lamp, but rather to illuminate a table in an environment that is not necessarily an office. In fact, its iconic shape finds use not only on desks, but generally on any bearing plane, its primary role being to light a portion of a room.

With their two lamps Lanterna and Lanternina, Marta Laudani and Marco Romanelli succeed in enclosing light in a casing made of air. The two different-sized models share the pure shape composed of two bell-shaped Murano glass diffusers one inside the other: the first, transparent diffuser, hosts the second sand-blasted one, containing the light source.

The archetype of the table lamp and icon of Italian style. Atollo, designed in 1977 and winner of the Compasso d’Oro Award, completely revolutionized the way of imagining the classic bedside table lamp. Composed of essential geometric shapes, Atollo is a timeless decorative lamp that restores value by way of its very simplicity.

By means of the Switch table lamp, the Japanese designer Nendo, revisits for Oluce the shape of the classic abat-jour by renewing both its materials and its function. The archetypal shape of the cylindrical lampshade is transformed by using metal while its function as a diffuser is combined with that of a ‘switch’, hence its name. In fact, the lamp turns on and off by turning the sheet metal shade, inextricably linking form and function, aesthetics and functionality. Also available in floor version.

Direct descendants of the Stone of Glass collection by Laudani & Romanelli, the shapes of the Stones outdoor lamps are inspired by nature. These luminous stones, available in three different sizes, can be positioned, either alone or together, in the greenery of a garden or the intimacy of a summer terrace, to create an interplay of diffuse, captivating light.

Lyndon is a pendant lamp made of a chromium-plated metal structure and globes in transparent glass. This is an innovative concept created in 1977 by Vico Magistretti that takes you back to lost times using geometric shapes.

The geometric shapes have resulted in a product that is decorative and essential at the same time, disconnected from the historical period and the fashions of the moment, and one that has now fully become one of the icons of Italian design.

In the Alba table lamp version, the drop rests delicately on a satin brass rectangular-section profile in the shape of a double asymmetrical ‘L’, serving as the base and ornamentation of the light.

Spider is a floor lamp with a stove-enameled sheet metal reflector purposely designed to take a special horizontal spotlight bulb. A plastic joint allows the reflector to tilt. In 1967 Spider won the Compasso d’Oro award. It is part of the permanent collections of the Milan Triennale, the Philadelphia Museum of Art, the Kunstmuseum of Düsseldorf, and the “Neue Sammlung” Museum in Munich.

The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. References to the world of nature, with soft shapes contrasted with square lines, together with the use of a satin brass finish, combine to create Alba, a wall lamp with a strong visual impact.

Design Mariana Pellegrino Soto, 2019. Amanita is a reading lamp by Mariana Pellegrino Soto consisting of two discs: The first, the slimmest, functions as the base, while the second and thicker of the two houses the LED bulb. The two metal discs are connected and spaced by a slim, oblique stem in the shape of a ‘Z’. The same design, with revised proportions and modified materials and finishes, is also offered in its outdoor version. Amanita is transformed from a reading lamp to an elegant outdoor path-light. The Indian brown finish of this version, together with its stylish silhouette, makes it an object destined to grace the most refined gardens and public spaces.

Fresnel is a lamp created by Joe Colombo with the intention of appearing to be one of those perfect objects, that cannot be improved any further because it has been designed by time, capable of making essentiality and practicality synonyms of elegance.

The concept of Alba starts with a very simple element: the designer’s imagination was inspired by a drop of water – which she puts to use in different ways, depending on the model. The Alba floor lamp has a large rectangular-section stem with a satin brass finish that arises from an anthracite base and an arm that branches off from the top with a sphere suspended underneath it.

Formal minimalism for a soft, warm light. Medusa is a glass table lamp based on the elementary principle of incorporating a metal dome into a cylinder: the dome contains the light source and the glass cylinder delicately distributes the light over the lampís supporting surface. The dome remains suspended in the cylinder thanks to an elegant fold of glass that allows for a highly refined formal minimalism. The electric cable descends into the center of the cylinder and, in a play of reflections, seems to draw the tentacles of a jellyfish.

The Plume is available in two sizes, one with a long arm and the other with a short arm. The wall light is sleek and lightweight. The lampshade is composed of a thin metal surface, gently folded in the middle to form, symbolically, a feather.

Christophe Pillet designed Berlin, an object that calls into question the common understanding of the ceiling light, turning its traditional discreet character upside down to transform it into an elegant and decorative feature. Available in the ø30, ø40 wall light, and ø50 versions for use either as a ceiling light or wall light, Berlin takes the form of a thick metal ring with a slender profile enclosing a disc of wire mesh glass inside it. The satin brass and anodized brass finishings recall echoes of Art Deco, given a contemporary update in the shapes, and the use of LED as the light source.

Warm, fuzzy light and a low-profile silhouette. Iride reinterprets the archetypal shape of dome lighting with a contemporary slant. The suspension has a refined and intentional luminous effect that brings harmony to the lamp, ensuring smooth, even diffusion and visual comfort within the environment. A collection with essential shapes, made entirely of metal. The central diffuser becomes a personality trait, drawing the stylized shape of a drop in the center of the minimal dome. The opaline material softens and diffuses the light.