Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Emphasising honest materials and usability, Jasper Morrison uses a familiar form in idealised proportions to draw attention to the possibilities of an undervalued, everyday object with his Crate design.
Butt is a vibrant, versatile stool that can be used indoors and outdoors thanks to its UV-stable plastic, which was originally developed for marine use.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Nao Tamura’s characterful, bird-like lamp is robotically carved from milky-white polycarbonate to create a delicate form. Intended to sit in clusters, or ‘flocks’, Tiki suggests a different approach to lighting design.
Richard Woods’ colourful, wood-plank block prints have become an icon of contemporary design thanks to this enduring collaboration with Sebastian Wrong. Add a touch of character to any space with a Wrongwoods Tray.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Treating color as a material, Bloc side tables are based on the idea of recreating a hand-drawn cube, using different tones and shades to suggest an optical illusion.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Challenging the conventions of a traditional drawer unit, Stack consists of individual, multicoloured drawers that appear suspended above one another and open in both directions, creating an irregular composition.
Nao Tamura's characterful, bird-like lamp is robotically carved from milky-white acrylic to create a delicate form. Intended to sit in clusters, or 'flocks', Tiki suggests a different approach to lighting design.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Harnessing Marcelis' expertise in the utilisation of cast translucent materials, the suspended cylindrical bar of the Aura Light can stand alone or work as part of a grouping. Crafted from fully recyclable materials, the custom-engineered lightbulb enhances the warm translucency of Aura.
Originally designed in the 1960s as a wired table lamp, Carlo Nason and Established & Sons have redeveloped Gelato into a portable lamp, bringing the Italian designer’s artistic philosophy into 21st century technology.
Adding color to a traditionally staid form, the Step stool is made from solid ash using a high-tech manufacturing process to create a modern design for kitchens, bars and studios.
Richard Woods’ strikingly colouful wood-grain block prints are applied to Sebastian Wrong’s utilitarian furniture – reminiscent of mid-century designs – in this seminal collaboration between artist and designer.
Richard Woods’ strikingly colourful wood-grain block prints are applied to Sebastian Wrong’s utilitarian furniture – reminiscent of mid-century designs – in this seminal collaboration between artist and designer.
