Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Nao Tamura’s characterful, bird-like lamp is robotically carved from milky-white polycarbonate to create a delicate form. Intended to sit in clusters, or ‘flocks’, Tiki suggests a different approach to lighting design.
Butt is a vibrant, versatile stool that can be used indoors and outdoors thanks to its UV-stable plastic, which was originally developed for marine use.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Treating color as a material, Bloc side tables are based on the idea of recreating a hand-drawn cube, using different tones and shades to suggest an optical illusion.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Originally designed in the 1960s as a wired table lamp, Carlo Nason and Established & Sons have redeveloped Gelato into a portable lamp, bringing the Italian designer’s artistic philosophy into 21st century technology.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Challenging the conventions of a traditional drawer unit, Stack consists of individual, multicoloured drawers that appear suspended above one another and open in both directions, creating an irregular composition.
Emphasising honest materials and usability, Jasper Morrison uses a familiar form in idealised proportions to draw attention to the possibilities of an undervalued, everyday object with his Crate design.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Adding color to a traditionally staid form, the Step stool is made from solid ash using a high-tech manufacturing process to create a modern design for kitchens, bars and studios.
The Torch Light combines a tactile, moulded silicone shade with a diamond-textured diffuser – a reference to car headlights – and a brightly coloured cable, offering a wide array of colour and cluster combinations.
Filigrana Light series blends a 16-century glassblowing technique with a contemporary aesthetic, creating four unique suspension lights and two table lamps in three candy-stripe colour options.
Nao Tamura's characterful, bird-like lamp is robotically carved from milky-white acrylic to create a delicate form. Intended to sit in clusters, or 'flocks', Tiki suggests a different approach to lighting design.
Richard Woods’ colourful, wood-plank block prints have become an icon of contemporary design thanks to this enduring collaboration with Sebastian Wrong. Add a touch of character to any space with a Wrongwoods Tray.
Harnessing Marcelis' expertise in the utilisation of cast translucent materials, the suspended cylindrical bar of the Aura Light can stand alone or work as part of a grouping. Crafted from fully recyclable materials, the custom-engineered lightbulb enhances the warm translucency of Aura.
Richard Woods’ strikingly colourful wood-grain block prints are applied to Sebastian Wrong’s utilitarian furniture – reminiscent of mid-century designs – in this seminal collaboration between artist and designer.
Richard Woods’ strikingly colouful wood-grain block prints are applied to Sebastian Wrong’s utilitarian furniture – reminiscent of mid-century designs – in this seminal collaboration between artist and designer.
