Psychedelia meets a signature Morris & Co. botanical evoking the brand`s trippy color experiments from the swinging `60s. Ensnaring and intoxicating the swirling rhythm and hidden depths of William Morris`s 1876 Pimpernel have an irresistibly mythic pull. All tendrils and flowerheads Pimpernel is a perfect exemplification of Morris`s layering technique adding texture and drama at every twist and turn.

Beware Alan Francis Vigers`s upbeat jolly 1901 design has a somewhat sinister undertone. So named because its head resembles the rounded shape of a monk`s habit this plant is also referred to as wolfsbane recalling its use as a toxic poison used to coat arrows fired at marauding wolves in Classical times. This plant as treacherous as it is beautiful is charmingly rendered by Vigers with innocuous innocence.

C.F.A. Voysey one of the foremost Arts & Crafts designers and architects of his generation blends his architectural and decorative training in this The Savaric. Featuring flocks of birds gracing branches below the high canopy of trees The Savaric originally a wallpaper design from 1896 bears the unmistakable signature bird motif indicative of Voysey`s style.

Rocking and rolling amongst a riot of psychedelic color, Hyacinth is far from being the delicate wallflower that its name suggests. Full of flower power confidence our intricate interpretation of this 1911 design is proud and unconventional. Originally produced in powder pink willowy stems and delicate bell-shaped flowers throw caution to the wind in a symmetrical layout characterized by John Henry Dearle art director of Morris & Co. at the time.

From around 1895 C.F.A. Voysey gives us Laceflower. Swaying in an imagined wind Voysey`s characteristic birds chirp among the stems and flowerheads. The gentle movement in the pattern is emphasized by simple saturated color stories offering a choice of a lighter and darker feel.