Extended (2 Years) Oversized (Greater Than 20" Wide) Flush Mounts

The Plura is a simple, straightforward fixture that is excellently executed. With the Plura it was about resolving the seams and edges and their relationships to one another. The result is a scale-able fixture that has a sharp, sophisticated feel.

Beautiful and perfect for ceiling mount in busy location.. Anonymous. Napa, CA. Sat Nov 23 2024

This contemporary semi-flush mount ceiling fixture showcases the Vida collection’s sculptural form, featuring radiating elements accented with clear crystal details in a Burnished Gold finish. Its bold yet refined silhouette creates visual movement while maintaining a streamlined profile. Designed for dry rated interior spaces, it makes a striking statement in living rooms, dining areas, or bedrooms. Two-year warranty included against defects in materials and workmanship, subject to certain conditions and exclusions.

This is a beautiful light fixture. Its color is a deeper antique gold but i still love it. The pattern and texture of the metal is really lovely. …. However!!!! Assembly is a challenge. My electrician wouldn’t assemble the crystal rods as the pins are very delicate and bent easily. There were no instructions included. But we figured it out. You will need lots of patience!!! Worth it, in my opinion.. Kathleen. North Chatham, MA. Mon Apr 03 2023

The Plura is a simple, straightforward fixture that is excellently executed. With the Plura it was about resolving the seams and edges and their relationships to one another. The result is a scale-able fixture that has a sharp, sophisticated feel.

Adi. San Diego, CA. Sat Nov 22 2025

Siam breathes a certain oriental air derived from the inverted shade. It offers a soft cascading light. These luminaires can be grouped in varying compositions, superposing shades partially one over the other, and creating a perfect mural for any space.

The Plura is a simple, straightforward fixture that is excellently executed. With the Plura, it was about resolving the seams and edges and their relationships to one another. The result is a scale-able fixture that has a sharp, sophisticated feel.

The Mediterrània lamp is an ode to the light. A soft wave of ribbon pays homage to our Mediterranean light, so heterogeneous throughout the day, its light always combines bright flashes with very warm beams, especially in the sunrise and sunset.

The Plura is a simple, straightforward fixture that is excellently executed. With the Plura, it was about resolving the seams and edges and their relationships to one another. The result is a scale-able fixture that has a sharp, sophisticated feel.

Veram's design is equal parts beautiful and minimalist. The flush mount and pendant complement one another. Few designs in Cerno's line are as adaptable to different environments as the Veram. Cerno's signature wood and metal material palette compose a robust and dynamic fixture.

The handcrafted Volo flush mount is a celebration of natural materials. The solid hardwood, brass finish, leather, and aluminum showcase the purposeful design that went into each detail. The indirect LED light source emits light of beautiful quality.

Good quality, as pictured. Would purchase again.. Donna. Fri Oct 03 2025

Siam breathes a certain oriental air derived from the inverted shade. It offers a soft cascading light. These luminaires can be grouped in varying compositions, superposing shades partially one over the other, and creating a perfect mural for any space.

elegant and simple and gives out a nice glow. shipped faster than expected. Dawn. Ft Lauderdale , FL. Wed Nov 16 2022

The Mediterrània lamp is an ode to the light. A soft wave of ribbon pays homage to our Mediterranean light, so heterogeneous throughout the day, its light always combines bright flashes with very warm beams, especially the sunrise and sunset.

STUNNING! I wasn’t sure at first but it is just AMAZING! Love it! I used in the living room of my clie and it’s a show stopper!. Rinat. Long Island City, NY. Thu Jan 15 2026

Curved Steel and Clear Crystal Shards combine in a contemporary burst design in the Vida Medium Semi-Flush Mount ceiling fixture from Fredrick Ramond. Suspended by a faceted steel stem from the detailed 6.5-in dia. canopy, the fixture fans out below in multiple directions. Amongst the sculpted metal and crystal are (9) candelabra bulb sockets for a 5w LED or 60w Incandescent bulb (not included). The leaden gray Brushed Graphite finish features subtle striations and a slight metallic shimmer.

Mounted in kitchen and adds class and character. Freebird. South Florida. Sat Feb 15 2025

The Mediterrània Outdoor lamp is an ode to the light. A soft wave of ribbon pays homage to our Mediterranean light, so heterogeneous throughout the day, its light always combines bright flashes with very warm beams, especially in the sunrise and sunset.

Fredrick Ramond's Middlefield Flush Mount fixture exudes a historical charm, with its open airy rustic design featuring an orb frame, swooping arms, a simple candle design, and a pear-shaped wood finial. The Iron Rust finish and Weathered Ash wood accents bathe this piece in a historical feel, and cements its rustic style. Illuminate any foyer, kitchen, or dining room with this simple piece. Fredrick Ramond features a 2-yr warranty, subject to certain conditions and exclusions.

I’m really happy with this light. It’s the perfect size for a large living room. And it is good quality.. Jillian. Ponte Vedra, FL. Fri Oct 01 2021

It is the perfect answer for those looking for a large lamp. The diffuser, especially in the bigger size, offers a large lighting surface area despite a minimalist metal frame.

The Volo 36 Flush mount design transcends and blurs the lines where art and utility meet. It is composed of familiar shapes of varied sizes and materials. We scrutinized the nuanced proportions to ensure the original form was not compromised by simply scaling up every dimension. The result is a balanced and voluminous light fixture that produces a beautiful quality of light. Similar to the Volo 18 and 24, the 36 use of spun metal and solid hardwood is luxurious and also feels natural and warm. The care and craftsmanship that go into making each Cerno fixture is really on display when admiring the Volo.

Veram's design is equal parts beautiful and minimalist. The flush mount and pendant complement one another. Few designs in Cerno's line are as adaptable to different environments as the Veram. Cerno's signature wood and metal material palette compose a robust and dynamic fixture.

Veram's design is equal parts beautiful and minimalist. The flush mount and pendant complement one another. Few designs in Cerno's line are as adaptable to different environments as the Veram. Cerno's signature wood and metal material palette compose a robust and dynamic fixture.

The Plura is a simple, straightforward fixture that is excellently executed. With the Plura, it was about resolving the seams and edges and their relationships to one another. The result is a scale-able fixture that has a sharp, sophisticated feel.

Veram's design is equal parts beautiful and minimalist. The flush mount and pendant complement one another. Few designs in Cerno's line are as adaptable to different environments as the Veram. Cerno's signature wood and metal material palette compose a robust and dynamic fixture.

The Trevi collection is an exhilarating celebration of light, reflection, and tranquility. Semi-flush with gently curved hand-carved crystals creates fluid movement in profiles of grace and majesty.

This is a fresh and innovative approach to a flush mount light fixture. Each carefully selected material plays an integral role in aesthetic design and performance. The wood arms, metal shade, and glass diffuser combine to create a minimalist form well suited for a modern environment or a more traditional space. The 14" version works well in bathrooms, closets, narrow corridors, and smaller kitchens. The 18" and 22" sizes are incredibly dynamic and work well in different environments such as commercial, residential, and hospitality applications.

Plafonet is one of the most flexible products in our portfolio due to its simplicity, good design, and excellent quality vs cost relationship. Plafonet has been with us since 2005 and has been taking up a stance on the bestsellers ranking year after year. This ceiling lamp was born in our technical office and it is the result of long talks between Carles Riart, lluís Porqueras, and Joana Bover during the refurbishment of the Fonda Europa in Granollers, in which Ricart and Porqueras contributed their best knowledge, steeping that beautiful place with a new air but keeping its strong identity. The result was a more comfortable space for endless social gatherings. All the furniture and accessories were designed and created separately, according to the use and place where they were supposed to be allocated. That was, without a doubt, the result of the sensitivity Mr. Parellada, the owner, has for design.

One ring, infinite combinations. The concept of the Ecos collection is just in one element: the glass ring. Extremely customizable in terms of shapes and sizes, for a truly original lighting. Rigadin white or crystal colour glass. Metal parts finishing in satin bronze and chrome.

The reduced version of Giogali, which allows the glass hooks to be used for smaller, standard or customised wall installations.

Glassmaking is an ancient art that tells of centuries-old knowledge, handed down from generation to generation by the love and passion of expert craftsmen who carefully hold a tradition of excellence. True icons of timeless beauty are born when know-how and craftsmanship meet design, to form a perfect synthesis of tradition and innovation. This is the case of the Giogali and Minigiogali collections designed by Angelo Mangiarotti in 1967 for Vistosi, the lighting brand that has brought glass to perfection. The Giogali lamp (Compasso d’Oro mention in 1969) introduced a new concept in the use of glass: a modular lighting system based on a single hand-crafted crystal element (a type of hook) that can be repeated indefinitely to give life to structures that appear like cascades of light. The hook is the basic module that constitutes the entire architecture of the Giogali system (name that derives from the Venetian “giongher”, or the strap used in the countryside to tie the cart to the yoke), Mangiarotti’s modern interpretation of the Venetian chandelier. Long-term research based on the innovation of traditional shapes generated the hook, which thus becomes the constructive element of the chandelier itself. The basic element can be hooked in a series to form crystal chains, which in turn can be combined to create unlimited formal designs, such as chandeliers of any size that become scenographic backdrop of rooms. Following a restyling of the product, Vistosi introduced the Giogali 3D version in 2005: a new type of hook in glass that allows it to be paired to rings in all four directions, so as to form a continuous mesh that allows great installation flexibility.

Glassmaking is an ancient art that tells of centuries-old knowledge, handed down from generation to generation by the love and passion of expert craftsmen who carefully hold a tradition of excellence. True icons of timeless beauty are born when know-how and craftsmanship meet design, to form a perfect synthesis of tradition and innovation. This is the case of the Giogali and Minigiogali collections designed by Angelo Mangiarotti in 1967 for Vistosi, the lighting brand that has brought glass to perfection. The Giogali lamp (Compasso d’Oro mention in 1969) introduced a new concept in the use of glass: a modular lighting system based on a single hand-crafted crystal element (a type of hook) that can be repeated indefinitely to give life to structures that appear like cascades of light. The hook is the basic module that constitutes the entire architecture of the Giogali system (name that derives from the Venetian “giongher”, or the strap used in the countryside to tie the cart to the yoke), Mangiarotti’s modern interpretation of the Venetian chandelier. Long-term research based on the innovation of traditional shapes generated the hook, which thus becomes the constructive element of the chandelier itself. The basic element can be hooked in a series to form crystal chains, which in turn can be combined to create unlimited formal designs, such as chandeliers of any size that become scenographic backdrop of rooms. Following a restyling of the product, Vistosi introduced the Giogali 3D version in 2005: a new type of hook in glass that allows it to be paired to rings in all four directions, so as to form a continuous mesh that allows great installation flexibility.

Glassmaking is an ancient art that tells of centuries-old knowledge, handed down from generation to generation by the love and passion of expert craftsmen who carefully hold a tradition of excellence. True icons of timeless beauty are born when know-how and craftsmanship meet design, to form a perfect synthesis of tradition and innovation. This is the case of the Giogali and Minigiogali collections designed by Angelo Mangiarotti in 1967 for Vistosi, the lighting brand that has brought glass to perfection. The Giogali lamp (Compasso d’Oro mention in 1969) introduced a new concept in the use of glass: a modular lighting system based on a single hand-crafted crystal element (a type of hook) that can be repeated indefinitely to give life to structures that appear like cascades of light. The hook is the basic module that constitutes the entire architecture of the Giogali system (name that derives from the Venetian “giongher”, or the strap used in the countryside to tie the cart to the yoke), Mangiarotti’s modern interpretation of the Venetian chandelier. Long-term research based on the innovation of traditional shapes generated the hook, which thus becomes the constructive element of the chandelier itself. The basic element can be hooked in a series to form crystal chains, which in turn can be combined to create unlimited formal designs, such as chandeliers of any size that become scenographic backdrop of rooms. Following a restyling of the product, Vistosi introduced the Giogali 3D version in 2005: a new type of hook in glass that allows it to be paired to rings in all four directions, so as to form a continuous mesh that allows great installation flexibility.

It is the perfect answer for those looking for a large lamp. The diffuser, especially in the bigger size, offers a large lighting surface area despite a minimalist metal frame.

A series of five linear elements of different lengths in blown glass, which can be used as single suspensions, ceiling lamps or in multiple combinations.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

One ring, infinite combinations. The concept of the Ecos collection is just in one element: the glass ring. Extremely customizable in terms of shapes and sizes, for a truly original lighting. Rigadin white or crystal colour glass. Metal parts finishing in satin bronze and chrome.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

The reduced version of Giogali, which allows the glass hooks to be used for smaller, standard or customised wall installations.

The reduced version of Giogali, which allows the glass hooks to be used for smaller, standard or customised wall installations.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

Glassmaking is an ancient art that tells of centuries-old knowledge, handed down from generation to generation by the love and passion of expert craftsmen who carefully hold a tradition of excellence. True icons of timeless beauty are born when know-how and craftsmanship meet design, to form a perfect synthesis of tradition and innovation. This is the case of the Giogali and Minigiogali collections designed by Angelo Mangiarotti in 1967 for Vistosi, the lighting brand that has brought glass to perfection. The Giogali lamp (Compasso d’Oro mention in 1969) introduced a new concept in the use of glass: a modular lighting system based on a single hand-crafted crystal element (a type of hook) that can be repeated indefinitely to give life to structures that appear like cascades of light. The hook is the basic module that constitutes the entire architecture of the Giogali system (name that derives from the Venetian “giongher”, or the strap used in the countryside to tie the cart to the yoke), Mangiarotti’s modern interpretation of the Venetian chandelier. Long-term research based on the innovation of traditional shapes generated the hook, which thus becomes the constructive element of the chandelier itself. The basic element can be hooked in a series to form crystal chains, which in turn can be combined to create unlimited formal designs, such as chandeliers of any size that become scenographic backdrop of rooms. Following a restyling of the product, Vistosi introduced the Giogali 3D version in 2005: a new type of hook in glass that allows it to be paired to rings in all four directions, so as to form a continuous mesh that allows great installation flexibility.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

A series of five linear elements of different lengths in blown glass, which can be used as single suspensions, ceiling lamps or in multiple combinations.

A collection that represents the illusion of a surface created by the implosion of a volume. The glass, due to its thickness, shows a gradation of multiple layers of white and transparent crystal.

The ceiling lamp Blend 100 by Sabina Grubbeson has a graceful Scandinavian design.

In pendant, ceiling and wall versions. It is the perfect answer for those looking for a large lamp. The diffuser, especially in the larger size, offers a large surface area despite an essential metal frame. A new 70 cm size is added to the collection in both ceiling and pendant versions.

A collection that represents the illusion of a surface created by the implosion of a volume. The glass, due to its thickness, shows a gradation of multiple layers of white and transparent crystal.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.

Tier is the new collection of wall and ceiling lamps by Vistosi that transforms two elementary shapes, the line and the circle, into a design object that can also become a “customised design” on the wall. Tier was born from the creativity of Luca De Bona (architect) and Dario De Meo (designer), co-founders of Studio Debonademeo, to tell a “new” Vistosi, in the sign of simplicity and essentiality. It is no coincidence that the genesis of Tier is inspired by a particular moment of childhood: the two designers imagined going back to childhood, to the time when mothers allowed them to express their creativity and trace a few pencil marks on a white wall; they intertwined those lines and transformed them into three-dimensional elements, vectors of light: a white satin diffuser with LED source, embraced by a rectangle with rounded corners in painted brass. Tier leaves room for freedom and puts space in the foreground, to give every room the light it needs: it gives the possibility to use the lamp individually or to weave and overlap the lines (hence the name Tier, which in English means “layer, level”) to create infinite compositions on the wall. Games of shapes that make the lamp no longer ‘just’ a functional element or a light source, but a true furnishing element. Tier is thus transformed into a constellation or, going further with the imagination, into a solar system: the Sun, the light at the centre, and around it the planets with their satellites. The collection has a fixed point, light, but looks far ahead, just like the Vistosi brand, which wants to introduce a new vision of Murano glass, transforming it from a central element, which must necessarily attract the gaze, to a precious material that can express the best of itself and furnish the environment while remaining ‘behind the scenes’. The Tier collection, in fact, is not designed to catalyse attention and impose itself in the environment, but to accompany the light and, with its simplicity, ‘design’ the wall on which it is installed.