Defined by an exposed, triangular construction, a gently curved seat and back ideally pitched for relaxation, and distinctive cut-outs for resting the elbows when reading (or, of course, knitting), the Knitting chair affirmed Kofod-Larsen’s reputation as a master of proportion and unexpected, sculptural form. It was put into production, but only as a limited edition. Since then, the elegant, inventive design has become an increasingly valuable and sought-after collector’s item. The Knitting chair is beautiful from every angle, making it easy to place anywhere in a room. Given the chair’s enveloping comfort, it has a relatively small footprint, which makes it an easy fit in compact interiors as well as in more spacious ones. The design also stands out on comfort, the result of Kofod-Larsen’s constant care to ensure ideal angles and lumbar support. The clean, sculptural lines, achieved through the designer’s close work with joiners, and the high-end, natural materials make for an unforgettable, conversation-sparking silhouette. Ib’s furniture was rooted in reality,” says the designer’s son, Jan Kofod-Larsen. He took a lot of pride in his work, and was iterative in the design process, working closely with his manufacturers to get every detail just right. His hope was to create a design that would endure, both functionally and aesthetically. So there is a clear parallel with Audo’s design philosophy: the ideal of keeping the best and leaving the rest. I would have been very happy to see that people continue to appreciate Norm Architects' furniture today. And I think he would have enjoyed Audo’s approach and focus on creating for the future while respecting the past.”
