ANDEAN

Decorative pillows with handwoven artisanal sash details from Peguche, Imbabura, and waterproof velvet or upholstery fabric.

Decorative pillows with handwoven artisanal sash details from Peguche, Imbabura, and waterproof velvet or upholstery fabric.

These decorative pillows are pretty, soft, and comfortable. They bring a “pop” of color to your couch, chair, or bed. They are not very big to be used for lounging but more as ornamental. The actuality of knowing the pillows are handwoven makes them feel extra special!. Stacye. Highland, IN. Fri Apr 11 2025

Decorative pillows with hand-embroidered llama motif from Zuleta, Imbabura, and waterproof velvet or upholstery fabric.

I am so in love with these cuties! I had an hard time picking out the colors since there were so many beautiful colors to choose from but this white one is my pick and I love them! The cushions came in packages with tissue papers so beautifully, like a precious present. The cushion covers were wrapped in bubble wrap and the cushion inserts were vacuum sealed separately. This made me see how proud of the artisans of their artwork. The fabric feels great to the touch and the embroidery is so intricate. I am so happy with these cushions!. Chong. Burlington, MA. Sun Apr 06 2025

Handwoven sheep wool mirrored tapestries with wall-mounting lathed aged bronze bases, and stainless steel rod.

Stool crafted from solid Seike wood with Ébano finish, featuring thick leather accents, and aged bronze or stainless steel CNC-lathed hardware.

Handwoven sheep wool tapestry with wall-mounting lathed aged bronze bases, and stainless steel rod.

Stool crafted from solid Seike wood with Ébano finish, featuring thick leather accents, and aged bronze or stainless steel CNC-lathed hardware.

Velvet upholstered 3-seater sofa with lathed bronze or stainless steel legs and hardware.

Handwoven sheep wool tapestry with wall-mounting lathed aged bronze bases, and stainless steel rod.

This is the cutest thing I’ve ever seen lately! It is nicely rolled up in a thick paper barrel with its bronze rod, which makes it a very noble presentation. The yellow color instantly brightens up the room! I like the carefree feel of this object but also the high quality at the same time. It initially smelled a little bit whe I took it out of its container but it quickly went away after I hung it up. It is really cute!!. Chong. Burlington, MA. Tue Apr 08 2025

Handwoven sheep wool tapestry with wall-mounting lathed aged bronze bases, and stainless steel rod.

Wall mirror made of solid Seike wood body with Ébano finish, antique mirror glass, and lathed bronze or stainless steel hardware.

ANDEAN presents the Perfidia_01 Floor Mirror, a vertical masterpiece bridging the technical precision of CNC-carved Seike wood with the soulful warmth of artisanal craftsmanship. Enclosed in a refined steel rod frame with a striking Ébano finish, this leaning full-length silhouette pays homage to the 1970s Latin American golden age. Sand-casted bronze details offer a tactile contrast to the sleek, open-corner geometry, evoking the nostalgic rhythm of a classic bolero. Designed to honor ancestral legacies while embracing modern innovation, this rectangular piece transforms the act of reflection into a sophisticated dialogue between history and the present.

LLAMAS is a one-of-a-kind casted solid bronze decorative bookends in Verdigris patina finish, handcrafted from a lost-wax cast mold by Ecuadorian artisan and sculptor, Jorge Ávila Chico.

Decorative slip casted ceramic candleholder finished with a rich black or dark green glaze, highlighted with gold luster details, and ivory wax candles.

Coffee table crafted from hand-carved volcanic stone sourced from the Chimborazo Volcano quarry.

This is a beautiful set. I feel it can be used as a bowl for chips and the two smaller ones for dips, for entertaining. The color says Green Glaze but I can’t see any green. It appears more brown to me. I love the ceramic material which gives the set a high quality finish.. Stacye. Highland, IN. Mon Mar 17 2025

Decorative candleholder with slip casted ceramic base, solid seike wood lathed plynths in Ébano or Gold Leaf finish, and ivory wax candles.

Cindy. Newport Beach, CA. Mon May 26 2025

Decorative slip casted ceramic platter finished with a rich black or dark green glaze, highlighted with gold luster details.

Overall this is a very lovely piece. I like the size and proportion. The glaze is a matte finish in dark green which has a rustic feel but is very attractive. I have a decorative statue on it but it would be great with fresh or faux fruit or even just by itself.. Anne. Frontenac, MO. Sun Apr 06 2025

Decorative bolster pillow crafted with artisanal sheepskin sourced from Cotacachi, Imbabura.

Decorative slip casted ceramic platter finished with a rich black or dark green glaze, highlighted with gold luster details.

This piece is really unique and unusual! The glaze is very rich looking and the gold luster is stunning! I am using this on a book shelf but it would be great on a coffee table or dining table or kitchen island. I love it!. Anne. Frontenac, MO. Tue Apr 22 2025

SALAR is a sculptural candle holder, composed of a sand-cast bronze base, and hand-carved volcanic stone candle holders. The shape is a representation of the traditional process used for the production of salt in colonial times. In Salinas de Ibarra, a region in the north of Ecuador, the salt was filtered from the ground, and pressed into currency units. ICONOS is a creative and ethnographic exploration of the DNA and ICONS that constitute the Ecuadorian identity. The collection is a family of functional and sculptural objects based on the abstraction of Andean iconography and archetypes. It is an aesthetic exercise representative of the Andean region: its soul, materials, and talent.

Decorative volcanic stone hand-carved bowl from Chimborazo volcano, with lathed bronze base. Inspired by Ecuador’s highest volcano, the Chimborazo and Mortero Decorative Bowls feature hand-carved volcanic stone sourced from Chimborazo quarries and delicate bronze accents.

Bar cabinet made of solid seike wood body with Ebano finish, details in lathed bronze, interior surfaces laminated with stainless steel sheets, interior back panel with antique mirror glass, and bronze sand-casted handles. The first Perfidia collection explores the mutualism between artisan techniques and industrialized manufacturing methods. It is an investigation into the relationship between crafts and automated processes that seeks to highlight the natural characteristics of each method and material. The furniture has been developed through a dialogue between the artisan and innovation, maintaining the inherence of the process and its manual strokes. To paraphrase the Mexican writer Octavio Paz: “between the timeless time of the museum, and the accelerated time of the machine, these pieces palpitate human time.”.

VALDIVIA is a sand-cast bronze sculptural object representative of the significance of religion within Latin American culture. It is an abstraction study; that combines the Virgin Mary with the Venus of Valdivia, representative of fertility and motherhood in the pre-Columbian communities of the Ecuadorian coast. ICONOS is a creative and ethnographic exploration of the DNA and ICONS that constitute the Ecuadorian identity. The collection is a family of functional and sculptural objects based on the abstraction of Andean iconography and archetypes. It is an aesthetic exercise representative of the Andean region: its soul, materials, and talent.

Decorative volcanic stone hand-carved bowl from Chimborazo volcano, with lathed bronze base & detail. Inspired by Ecuador’s highest volcano, the Chimborazo and Mortero Decorative Bowls feature hand-carved volcanic stone sourced from Chimborazo quarries and delicate bronze accents.

LLAMA is a table lamp, composed of a lost-wax cast bronze body, and a handblown glass lampshade. It is a reinterpretation of an archetype of llama sculptures essential within Ecuadorian artisanship. The form was hand-sculpted in ceramic, then 3D scanned and manipulated in CAD. Lastly, the form is 3D printed for the final mold for casting. ICONOS is a creative and ethnographic exploration of the DNA and ICONS that constitute the Ecuadorian identity. The collection is a family of functional and sculptural objects based on the abstraction of Andean iconography and archetypes. It is an aesthetic exercise representative of the Andean region: its soul, materials, and talent.

LLAMA is a table lamp, composed of a lost-wax cast bronze body, and a handblown glass lampshade. It is a reinterpretation of an archetype of llama sculptures essential within Ecuadorian artisanship. The form was hand-sculpted in ceramic, then 3D scanned and manipulated in CAD. Lastly, the form is 3D printed for the final mold for casting. ICONOS is a creative and ethnographic exploration of the DNA and ICONS that constitute the Ecuadorian identity. The collection is a family of functional and sculptural objects based on the abstraction of Andean iconography and archetypes. It is an aesthetic exercise representative of the Andean region: its soul, materials, and talent.

Toni. Boca Raton, FL. Thu Aug 07 2025

Decorative lathed solid seike wood bowl, with aged bronze or stainless steel details. Drawing inspiration from Quito's typical sacral and baroque motifs, Sitiera Decorative Bowl is meticulously crafted from CNC-lathed solid Seike wood, elegantly paired with bronze or stainless steel.

Beautiful and unique.. Anonymous. Fri Dec 05 2025

Lounge chair made of black finish steel rod structure and solid colorado wood with a natural oil finish, Ecuadorian cowhide leather seat, and lathed bronze or stainless steel hardware. The first Perfidia collection explores the mutualism between artisan techniques and industrialized manufacturing methods. It is an investigation into the relationship between crafts and automated processes that seeks to highlight the natural characteristics of each method and Material. The furniture has been developed through a dialogue between the artisan and innovation, maintaining the inherence of the process and its manual strokes. To paraphrase the Mexican writer Octavio Paz: “between the timeless time of the museum, and the accelerated time of the machine, these pieces palpitate human time.”.

HEMISFERIO is a table lamp composed of a sand-cast bronze base and a hand-carved volcanic stone top. The piece contains an LED light source inside the top, which reflects on the inside of the bronze base to emit indirect ambient light. The lamp contains a pivot point that opens and closes the sphere. It is an abstraction of Ecuador as the middle of the world, representing the equatorial line. It proposes to maintain a view towards the South, the northern hemisphere in stone and our southern hemisphere in bronze. ICONOS is a creative and ethnographic exploration of the DNA and ICONS that constitute the Ecuadorian identity. The collection is a family of functional and sculptural objects based on the abstraction of Andean iconography and archetypes. It is an aesthetic exercise representative of the Andean region: its soul, materials, and talent.

Wall mirror made of solid seike wood body with a natural oil finish, antique mirror glass, and lathed bronze or stainless steel hardware. The SITIERA_01 wall mirror is an abstraction of the Virgen de Quito crown by Bernardo de Legarda, a Quito Baroque School sculptor during the 18th century.

Lounge chair made of black finish steel rod structure and solid colorado wood with a natural oil finish, Ecuadorian cowhide leather seat, and lathed bronze or stainless steel hardware. The first Perfidia collection explores the mutualism between artisan techniques and industrialized manufacturing methods. It is an investigation into the relationship between crafts and automated processes that seeks to highlight the natural characteristics of each method and Material. The furniture has been developed through a dialogue between the artisan and innovation, maintaining the inherence of the process and its manual strokes. To paraphrase the Mexican writer Octavio Paz: “between the timeless time of the museum, and the accelerated time of the machine, these pieces palpitate human time.”.

Lounge chair made of black finish steel rod structure and solid colorado wood with a natural oil finish, Ecuadorian cowhide leather seat, and lathed bronze or stainless steel hardware. The first Perfidia collection explores the mutualism between artisan techniques and industrialized manufacturing methods. It is an investigation into the relationship between crafts and automated processes that seeks to highlight the natural characteristics of each method and Material. The furniture has been developed through a dialogue between the artisan and innovation, maintaining the inherence of the process and its manual strokes. To paraphrase the Mexican writer Octavio Paz: “between the timeless time of the museum, and the accelerated time of the machine, these pieces palpitate human time.”.