Leaving a Mark 3 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.

Artist enhanced, power packed texture, with vibrant, radiant colors, internationally acclaimed artist, John Beard knows how to compliment your walls with refined luxury and style. Your reproduction is skillfully painted on by John Beard himself. “Each reproduction I paint on is unique and a living example of my passion to impact lives with the power of creativity” - John Beard

Leaving a Mark 6 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.

Giclee print on high-quality canvas with meticulous hand-embellishment of gel coat brush strokes.

The Lines Between 3 is a series of six works on paper that recall the early work of American abstract painter Adolph Gottlieb. This series features biomorphic forms, abstract symbols, and dream-like landscapes that reflect an inner psyche. This work offers playful elements with its use of squiggles and loops that recall Lyrical Art. The color scheme in sand, muted cobalt blue, and charcoal adds to the poetical feel of the work. Lines Between 3 invite the viewer to observe a scene playing out beneath the surface. Part of the exclusive collection, this abstract work is given depth through a careful blend of neutral tones and contrasting lines.

Leaving a Mark 4 is part of a series of six bold prints that recall the Wildstyle graffiti era of 1970s NYC. This urban street art form had a significant impact on visual culture across the globe. Wildstyle graffiti is characterized by complex, intricate lettering that is often overlapped, interlocked, or interweaved to create a sophisticated pattern. This series is marked by the clever insertion of biomorphic objects that stand in for lettering. While graffiti relies on vivid colors and dense marks, this series allows the focus to be on the expressive objects using just two colors – taupe and cream – and the technique of positive shapes and negative space. Taken together, this series invites the viewer to interpret the objects in a myriad of ways.