Originally sketched and colored for wallpaper, Lent Lily has been thoughtfully refined by the Morris & Co. design team. Bold, stylized floral motifs of pointed tulips contrast with the swirls of the iconic acanthus leaf. The name Lent Lily refers to the miniature wild daffodils nestled in the ground of this lovingly adapted design. Taken from a rarely seen watercolor artwork in the archive, the design retains the original hand-drawn movement through a considered approach to the printing process. Translated into a beautiful embroidery design using a range of stitching techniques, Lent Lily highlights the finished and unfinished aspects of the original design, celebrating artistry and technique in equal measure. Two-tone and solid yarns create movement in this embroidery, adding interest through varied yarns for an artisanal finish.

Originally sketched and colored for wallpaper, Lent Lily has been thoughtfully refined by the Morris & Co. design team. Bold, stylized floral motifs of pointed tulips contrast with the swirls of the iconic acanthus leaf. The name Lent Lily refers to the miniature wild daffodils nestled in the ground of this lovingly adapted design. Taken from a rarely seen watercolor artwork in the archive, the design retains the original hand-drawn movement through a considered approach to the printing process. Translated into a beautiful embroidery design using a range of stitching techniques, Lent Lily highlights the finished and unfinished aspects of the original design, celebrating artistry and technique in equal measure. Two-tone and solid yarns create movement in this embroidery, adding interest through varied yarns for an artisanal finish.

Initially designed as wallpaper and chintz, Daisy & Oak features a scattering of acorns—a beloved Morris & Co. motif—which completes the composition, forming a distinctive silhouette alongside dainty daisies and tulips. With a striking central motif, an unusual layout, and a unique repeat, Daisy & Oak is highly decorative, bold, and unmistakably Morris & Co.

Curvaceous flowers and leaves trail upwards on this fabric design and are placed on a bed of smaller entwined flora and fauna. Originally produced at Merton Abbey using the indigo discharge method, this design is on a cotton-linen blend fabric upholstery and curtains.

Blackthorn designed for wallpaper by J.H. Dearle in 1892 was first adapted for machine-printed fabric in 1975 by Sanderson. Now Blackthorn Weave depicts a richly woven design for indoors and out. The weave texture is intricate and piquing interest and plays with differing levels of color. The ribbed quality in the flowerheads adds texture to the blooms and variation between floral display and calming leaves. Rich archival colors meet softer hazy hues across three wonderous colorways.

Named after Norbury Brook, a tributary of the River Wandle, the ogee-shaped design lends itself to the river's ebb and flow. Originally a woven hanging in an ecclesiastical style, Norbury features a detailed floral border and leafy damask structure printed on a textural hemp blend base cloth in rich heritage colorways. This reinterpretation remains faithful to its woven beginnings, and the combination of weave structure and contrasting yarns evokes the feeling of a treasured antique tapestry.